For more than a decade before his death David Bowie seemed to disappear. Beset by ill health after an on-stage heart attack in 2004, he largely withdrew into a life at home in New York, becoming a ghost in the city where he had lived for a quarter of a century.

Yet as the world comes to terms with his death this week, admirers are digesting a remarkable late burst of creativity, a dramatic 18-month flourish capped by an apparently exquisitely well-crafted exit.

At 69, Bowie reasserted himself both as a musician – Blackstar, the album released two days before his death, is topping charts around the world – and as a questing creative figure whose vision is still playing out on the New York theatre stage.

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